{"id":82869,"date":"2020-09-13T22:09:52","date_gmt":"2020-09-13T22:09:52","guid":{"rendered":"http:\/\/tdi_45_b8f"},"modified":"2020-10-21T15:35:46","modified_gmt":"2020-10-21T15:35:46","slug":"youth-artivist-for-change-north-macedonia","status":"publish","type":"post","link":"https:\/\/stichtingart1.nl\/en\/youth-artivist-for-change-north-macedonia\/","title":{"rendered":"YOUTH ARTIVISTS FOR CHANGE: NORTH MACEDONIA"},"content":{"rendered":"\n
On September 19th 2020 Stichting Art.1 took part in activities in North Macedonia in the scope of the Youth Artivist for Change project. The participants follow: <\/p>\n\n\n\n
\u201cTHE STORY COMES FROM INSIDE OF THE FILMMAKER. BUT IT HAS TO GET OUT. IT\u2019S THEN UP TO THE COMMUNITY TO ACCEPT THE STORY AND THE COMMUNITY IS WHERE THE EFFECT TAKES PLACE.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
Go-to cinema: <\/strong>The work of Alfred Hitchcock and Krzysztof Kieslowski.<\/em><\/p>\n\n\n\n
21-year-old filmmaker Stefan Bozhinovski spoke to Art.1 about his motivation for participating in the Youth Artivist for Change filmmaking training. \u201cI love film, theatre and the arts. I\u2019d definitely like to work in the film industry. But it does depend on how things turn out. That’s why I want to learn more and more about it.
My project is a short film that focuses on the family situation of an ambitious young person. But he has issues with his parents related to his sexual orientation; they can’t really accept it, as they fear the community reaction and how his life will turn out.
I think it’s important that LGBTIQ+ stories are told because you\u2019re displaying them for people who haven\u2019t witnessed them. It uncovers [these identities] so they won\u2019t be perceived as a taboo.\u201d
According to Stefan, telling queer\/LGBTIQ+ stories is important to the filmmaker and their community: \u201cThe filmmaker tells a story from their own perception and experience. I don\u2019t think you can tell a story if you do not relate with it in a way or have knowledge of it. I think the story comes from inside the filmmaker. But it has to get out. Once it\u2019s out, it can affect the community into acceptance.”<\/p>\n\n\n\n
\n\n\n\n<\/figure>\n\n\n\n
Ana, 21. Tetovo \u2013 North Macedonia<\/strong><\/p>\n\n\n\n
\u201cIn our country cinema’s not that developed. But maybe some of us are the pioneers of the future. So we have to start everything from scratch. We have great directors, but we need more visibility. The training helped me make connections and build my network with other aspiring filmmakers across the region.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
Tetovo-native Ana lives breathes and eats cinema, that\u2019s why she enrolled.
Go-to cinema:<\/strong> Martin Scorsese<\/em><\/p>\n\n\n\n
\u201cFilming, editing, everything. Making movies is the dream. I like to have [my films] finished up but I also really love the process. I can’t get enough of it; no matter how hard it is, no matter how hard the director is screaming during production days. It’s always a pleasure to do it. It ignites a passion in me, like painting a picture. The director is yelling. That’s the way they make their art\u2026 and I love it.
In our country cinema isn\u2019t that developed. But maybe some of us are the pioneers of the future. So right now, we have to start everything from scratch. We have great directors, but we urgently need more visibility. The training helped me to establish connections and build my network with other aspiring filmmakers across the region, so when opportunities come up, we can collaborate. Its great to see in what stage other people are at in their creative growth.
My story is an animation made on a computer. It\u2019s about a little girl who is trapped in basement, she\u2019s been neglected, since she was a baby and has never seen anything in the world except for four walls and a bed and food. And then she sees herself in the mirror. It\u2019s very strange.\u201d<\/p>\n\n\n\n
\u201cFilmmakers have a responsibility to tell the stories of oppressed groups \u2013such as queer stories \u2013 but I think it’s crucial for the stories to be told from the perspective of the person who’s living them.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
\u201cI think the best stories are the ones that make a difference. The stories that come from personal experience. I can\u2019t tell a story about how I kissed my boyfriend in the street because that wasn’t my experience. I can, however, tell a story in which I was hiding with my boyfriend so nobody could see us. I could tell a story about hiding my relationship from my parents because that’s<\/em> my experience. I\u2019m not intentionally trying to carry out activism. My experience isn\u2019t openly accepted in my country or the region, so it becomes activism because I’m going to fight for the things that I want and believe in. I think the stories are important just because it’s a real experience authentic of gay people and LGBTIQ+ people.<\/p>\n\n\n\n
My film is about my relationship with my father. I wrote a poem about my dad and the T-shirt that I inherited from him. I’m going to get in drag wearing his shirt. I will read the poem in the background. I want to explore what he would think if he saw me wearing it.<\/p>\n\n\n\n
Filmmakers have a responsibility to tell the stories of oppressed groups \u2013such as queer stories \u2013 but I think it’s crucial for the stories to be told from the perspective of the person who’s living it.\u201d<\/p>\n\n\n\n
\u201cMy background is as an actor, never as a producer or a director. My reason for getting involved in Youth Artivists for Change was to see how things worked from behind the camera: all the processes behind filming and storytelling.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
Go-to cinema: <\/em><\/strong>Definitely Stanley Kubrick.<\/em><\/p>\n\n\n\n
\u201cMy background is as an actor, never as a producer or a director. I recently graduated from studying acting. My reason for getting involved was to see how things worked from behind the camera: all the processes behind filming and storytelling. So I can make my own movie in the future. If there is no relationship between the actor and the film crew, then that will be seen in the film. Both the film and the crew must know what the other is doing at all times. They need to understand each other so they can tell the same story. The actor\u2019s job is to show the inner world of the character, while the film crew\u2019s job is to capture that on film. Filmmaking is a collaborative art, so the relationship can be a difficult one, but also a great one. I would encourage anyone who wants to enter the film industry, or would like to know how to produce their own movie to join this kind of workshop because it\u2019s a great introduction to filmmaking and maybe tomorrow they\u2019ll be able to produce their own films.\u201c<\/p>\n\n\n\n
\u201cI\u2019m a law student and I like trying out new things. I enrolled in the course because I always wanted to try filmmaking. During the course, I realized I could do this 24 hours a day; I wouldn\u2019t have a problem with that.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
\u201cI\u2019m a law student and I like trying out new things. I enrolled in the course because I always wanted to try filmmaking. During the course, I realized I could do this 24 hours a day; I wouldn\u2019t have a problem with that. With regards to queer story telling, I think that people need to be more open-minded and spread their horizons. People shouldn\u2019t judge, like, we’re all humans and I think that’s important to realize we’re all the same. I don’t think that some people should have more or fewer rights because of who they are. They should be able to do whatever they want to do.”<\/p>\n\n\n\n
\n\n\n\n<\/figure>\n\n\n\n
Boki, 25. <\/strong> Skopje \u2013 North Macedonia<\/strong><\/p>\n\n\n\n
\u201cI was diagnosed with cancer recently, and the connection I see with that and telling the story of minorities \u2013 or the LGBT community \u2013 is that we can be misunderstood and the best way to battle that is by telling your story. My goal with my short film is to give people hope and raise awareness that there is a life after cancer.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
Go-to cinema: <\/em><\/strong>YouTuber Peter McKinnon<\/em><\/p>\n\n\n\n
\u201cI have a great love of photography and video and when a friend sent me the application for workshop, I immediately jumped at opportunity because I really want to understand the process behind filmmaking.<\/p>\n\n\n\n
It\u2019s important to tell your story or express how you feel because its empowering and builds confidence.<\/p>\n\n\n\n
I think every story is important. When people are educated about a subject, there is less fear. I was diagnosed with cancer recently, and the connection I see with that and telling the story of minorities \u2013 or the LGBTQ+ community \u2013 is that we can be misunderstood and the best way to battle that is by telling your story. My goal with my short film is to give people hope and raise awareness that there is a life after cancer.<\/p>\n\n\n\n
Workshops like this are important because in the age of social media, content is king. You need to know how to tell you story. To educate other people about your experience and what you’re feeling”<\/p>\n\n\n\n
\n\n\n\n<\/figure>\n\n\n\n
Dafina, 30. <\/strong> Skopje \u2013 North Macedonia<\/strong><\/p>\n\n\n\n
\u201cI work as a high school physics professor. Sadly, one of my students committed suicide. When I heard about this workshop, I saw it as an opportunity to learn about using film to send a message to young people.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
\u201cI work as a high school physics professor. Sadly, one of my students committed suicide. When I heard about this workshop, I saw it as an opportunity to learn about using film to send a message to young people. According to statistics, every third person is going through mental health issues in some point of their lives. That means from a classroom full of 30 children, 10 will have to deal with mental health issues. I think it\u2019s very important that they get psychological health education.<\/p>\n\n\n\n
In my country its taboo to go to the psychologist, and we don\u2019t speak about mental health. My film is about a 15-year-old girl, in the time before she commits suicide. It explains what could have happened to her if she spoke to a psychologist.<\/p>\n\n\n\n
I made it partly with stop motion, partly in real life with real scenes.<\/p>\n\n\n\n
If you look closely at the school scene, I\u2019ve put some equations on the board. They are taken from American mathematician and meteorologist Edward Norton Lorenz\u2019s, butterfly effect theory (the Lorenz attractor), which basically says that little changes in the initial conditions of a function can bring with time, very big changes. So I think that small initiatives like the project \u2018Artivists For Change\u2019 can bring big changes.\u201d<\/p>\n\n\n\n
\n\n\n\n<\/figure>\n\n\n\n
Darko, 22.<\/strong> Skopje \u2013 North Macedonia<\/strong><\/p>\n\n\n\n
\u201cI\u2019m making a documentary about internalized sexism, racism and homophobia. I think these issues are not often presented in the media.\u201d<\/strong><\/p><\/blockquote>\n\n\n\n
\u201cI’m doing a gap year in my university studies and I decided to open my perspectives into other fields, and I want to do more stuff in a non educational part of the of my being, becoming. And as I wanted to learn new things, this is a great new experience, as I can use my previous knowledge in the political and the political science. I\u2019m making a documentary about internalized sexism, racism and homophobia. I think these issues are not often presented in the media. I\u2019m telling my story through three characters. Looking at the problems within their community and the problems when they go outside of their community and they still encounter an internalized oppression, from within.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"
On September 19th 2020 Stichting Art.1 took part in activities in North Macedonia in the scope of the Youth Artivist for Change project. The participants follow: Stefan, 21.Bitola \u2013 North-Macedonia \u201cTHE STORY COMES FROM INSIDE OF THE FILMMAKER. BUT IT HAS TO GET OUT. IT\u2019S THEN UP TO THE COMMUNITY TO ACCEPT THE […]<\/p>\n","protected":false},"author":1,"featured_media":82934,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[178],"tags":[],"class_list":["post-82869","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-projects"],"yoast_head":"\n
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